Fw where is didot

Search WorldCat Find items in libraries near you. Advanced Search Find a Library. Refine Your Search Year. Your list has reached the maximum number of items. Please create a new list with a new name; move some items to a new or existing list; or delete some items. Fragmenta Euripidis : iterum edidit, perditorum tragicorum omnium. Fragmenta Euripidis iterum edidit, Perditorum tragicorum omnium. Fragmenta Euripidis iterum edidit, perditorum tragicorum omnium.

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Showing all editions for 'Fragmenta Euripidis iterum edidit : perditorum tragicorum omnium'. Displaying Editions 1 - 10 out of Michel Bovani created the mbtimes package by using Omega Serif for text and Latin and Greek letters in mathematics.

The STIX fonts project is a collaboration of several academic publishers to create a set of Times-compatible fonts containing every possible glyph needed for mathematical and technical publishing. These fonts are still in development, with a scheduled release in the middle of Note: When Adobe introduced Postscript in , they defined 35 core fonts in 10 typefaces that must be present in all Postscript interpreters.

For example, Times is Nimbus Roman No. Klingspor link. Aah Yes. Southampton, UK-based foundry, est. Typefaces from Time Exactly just type in the four numbers of any time from to and it will give you that clock face, in one of 60 styles of your choice , Rebista , Magg a corroded condensed sans typeface family , Sanstone.

Typefaces from Hypersans 12 weights , Martian Tiles , Dominoes a domino tile font. Typefaces from Yafferbuddle a cartoon font. View the Aah Yes typeface library. Together with Kontrapunkt, ABC Design created the new global brand typeface family for Nissan under direction from and in close collaboration with Bo Linnemann. They also designed the wonderful Juli Sans and the more vernacular Barbu Abyme is a type foundry founded by Adrien Vasquez and John Morgan. English Egyptian is an interpretation of William Caslon's Two Lines English Egyptian of , considered by some to be the first sans serif printing type to be sold commercially.

Nizioleti An all caps stencil typeface designed by John Morgan and Adrien Vasquez, Nizioleti is named and modeled after the nizioleti, or Venetian street signs. Nizioleti is a typeface consisting of painted letters stencilled within white plaster panels directly onto the city walls, in use since the early 19th century.

Review by Hrant Papazian , who wrote that it presents a congenial evolution of the theatrical Didone style of type. Lower contrast, fluid structures, humane proportions. It is like a Didot or Bodoni taking leave of the catwalk and relaxing among friends.

Achaz Reuss. He designed an elegant high-contrast art deco display typeface Miami EF in , the broken black lettering typeface EF Splitter, the horizon lettering typeface EF Eastside in , and Nivea in for Beiersdorf. Linotype link. Catalog of his typefaces. Creative director and founder of Illustrashion Magazine, based in London. Known as Prince , Amiri used to live in Brussels, where he was art director and graphic designer.

Home page. In , he published a booklet , Didot Fashion Victim. His fashion - inspired lette ring is quite amazing, and so are his fashion illustrations.

In , he continues his amazing mixtures of typography and illustration in his design of a wall logo for Boutique no. He also made the hairdo experimental caps typeface Touffe Acute Studio [Diana Ovezea]. After graduating from the New Design University in St. Some time later, she set up Acute Studio in Amsterdam under the motto: We like sharp outlines, tight curves, and edgy designs.

Creator of the hairline face Opium characterized by teardrop terminals. Creator of Paige , developed at the tipoRenesansa 3rd international type design workshop in Ljubljana, Slovenia.

This is an attractive and bouncy papercut display face. Marge is edgy and highly legible even at very small sizesit was developed at the tipoRenesansa 2nd international type design workshop.

Paige Italic was done at tipoRenesansa 4 and TypeClinic 5 Her KABK graduation typeface was Editura , a a type family for serious publications, magazines, as well as non-fiction books.

At The 8th International Typeclinic in , she continued work on an untitled text typeface. At Die Gestalten , she published Paiper, an extraordinarily balanced and readable 6-style text family with angular flared glyphs that are genetically related to folded paper strips.

Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. In , Diana Ovezea and Samo Acko added Passenger Sans , which is characterized by horizontal and vertical terminal strokes and small apertures, and delivers a relaxing read in long texts. Diana Ovezea also published the sharp-edged style Matteo in She writes about the wonderful Bizzarrini: Though the idea originates from a Stefan Schlesinger ad sketch for a Paris couture house, we straightened up this typeface and made it seem engineered and sharp.

It gets its name from the Bizzarrini Manta, a wedge-shaped concept car designed in by Giorgetto Giugiaro. Bizzarrini has extremely long wedge serifs. Following Schlesinger's sketch, it features very tall capitals with an out-of proportion middle-line very big heads on S, B and R.

Silverspoon is a contemporary take on Copperplate Gothic. In , she released the connected monoline sans script Akin done with Sabina Chipara and the geometric sans family Matteo at Indian Type Foundry.

Typefaces from Silverknife a tall and skinny version of Silverspoon , Capra a headline typeface with a bouncy baseline. This project started as a one-day challenge to recreate a piece of lettering on the Glass Menagerie poster designed by David Klein in Designer of Britney. At Blast Foundry, she published Granblue , a great experimental typeface family for boxing titles.

Future Fonts link. Bill Troop's present company is Addict Inc. See also here. Adam Katyi [Hungarumlaut was: Cila Design ]. Typefaces from Merpat for Balinese , Kataruman for Sundanese. Type foundry, aka Adlertype, from the middle part of the 20th century, located in Pavona, Italy. His typefaces: Maven Pro is a sans characterized by constant curvature and vertical cuts. It was created by Joe Prince, courtesy of Vissol Ltd. It is an extensive free typeface, and in fact, it is more than free: visitors can request that a new glyph be added.

Vissol is a British web design company. Valencia A condensed art deco family in five weights that is free at Lost Type. Image by Ryan Kiley. Varela A sans serif face.

Followed by Varela Round. Questrial Influenced by Helvetica. Geostar A blackboard bold face. Followed by Geostar Fill Handlee Free Google Web Font. Squada One Free at Google Web Fonts , it is a squarish Impact-like family. Bemio Published by Lost Type , it is an ultra bold sans. Klinic Slab Venera , Lost Type. Majesti Banner , Lost Type. A decorative didone. Google Font Directory link. Additional Google link. Devian Tart link.

Cargo collective link. Adolfo Monti. He also made Cibreo , Sugo Adrian Frutiger. Famous type designer born in in Unterseen, Switzerland, who died in September Art director for Editions Hermann, Paris to Frutiger lived near Bern, Switzerland, and was very interested in woodcuts.

Quote: Helvetica is the jeans, and Univers the dinner jacket. Helvetica is here to stay. He designed over fonts. Digitized by Linotype in The Bitstream version of this font is Formal Script Bitstream's Calligraphic is slightly different. About the name, Frutiger wrote I liked the name Monde because of the simplicity of the sequence of letters.

The name Europe was also discussed; but Charles Peignot had international sales plans for the typeface and had to consider the effect of the name in other languages. Monde was unsuitable for German, in which der Mond means "the moon". I suggested "Universal", whereupon Peignot decided, in all modesty, that "Univers" was the most all-embracing name!

Univers IBM Composer followed. In , Linotype published Univers Next, which includes 59 Linotype Univers weights and 4 monospaced Linotype Univers Typewriter weights, and can be rented for a mere Euros. In , Linotype added Univers Next Typewriter. Apollo , Monotype : the first type designed for the new Monotype photosetting equipment. Alphabet Entreprise Francis Bouygues. Alphabet Algol. Astra Frutiger. A typeface variant of Frutiger licensed under Linotype. It is the font used on the highways in Switzerland.

Serifa , Bauersche Giesserei. Bitstream published the digital typeface Serifa BT. The slab serif is robust and is based on the letterforms of Univers. Devanagari and Tamil , both done for Monotype Corporation. Dokumenta , Journal National Zeitung Suisse. Alphabet Facom Alphabet Brancher , Brancher. Iridium , Stempel. A didone with slight flaring.

Alphabet Centre Georges Pompidou. In , Frutiger Next was published by Linotype. In fact, Frutiger, the typeface was made for the Charles De Gaulle Airport in for signageit was originally called Roissy, and had to be similar to Univers.

It was released publically as Frutiger in The modern Bitstream version is called Humanist Glypha , Stempel. See Gentleman in the Scangraphic collection. Breughel , Stempel; , Linotype. Versailles , Stempel. Linotype Centennial Avenir , Linotype. In , Linotype Avenir Next was published, under the supervision of Akira Kobayashi, and with the help of a few others. Avenir Next World, released by Linotype in , is an expansive family of fonts that offers support for more than languages and scripts.

Lovely poster by Ines Vital Vectora , Linotype. Linotype Didot See also Linotype Didot eText Pro , which was optimized by Linotype for use on screens and small devices. Herculanum , Linotype : a stone age font. Shiseido Frutiger Capitalis , Linotype : a further exploration in the style of Herculanum, Pompeijana and Rusticana.

Linotype trademarked that name even though at least five fonts by the name Capitalis already exist. Pompeijana , Linotype. Rusticana , Linotype. Frutiger Stones , Linotype and Frutiger Symbols. Frutiger Neonscript. Courier New , based on Howard Kettler's Courier, was one of Frutiger's projects he was involved in ca.

AstraFrutiger : a new signage typeface for the Swiss roads. Erich Alb comments: With a Frutiger condensed Type and illuminated signs during night it is mutch better readable. Nami is a chiseled-stone sans family, made with the help of Linotype's Akira Kobayashi. Neue Frutiger , with Akira Kobayashi has twice as many weights as the original Frutiger family. Bio by Nicholas Fabian. A quote from his keynote speech at ATypI If you remember the shape of your spoon at lunch, it has to be the wrong shape.

The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful. Wikipedia link. View Adrian Frutiger's typefaces.

View some digital versions of Avenir. More Vimeo movies. Adriana Perez Conesa is a Spanish graphic and typeface designer, currently based in Barcelona. She studied art and graphic design at the University of the Basque Country. Her typefaces: Subs and Stuff These are her graduation typefaces at Reading. Subs n Stuff. Subs uses squarish letterforms with low contrast, large x-height, generous apertures, pixel-traps and clear shapes, all to help reduce the chances of misrecognition and increase legibility.

Subs contains two different styles: Micro, intended for low-resolution screen and small sizes, and Text, for high-resolution screens and bigger sizes.

Text is also variable in the weight axis. Stuff is a variable subfamily that covers weight and optical size axes. Both typeface families are accompanied by an italic style and support Latin and Arabic scripts. A revival of Augereau Gros Romain Rockera Essone A didone. Aurum Sans Her graduation project at the University of the Basque Country. Aurum Sans is a geometric typeface in which she combined rationality with humanism. Adrien Midzic. Fatnobrain was Adrien Midzic's design studio in Paris.

Born in , he co-founded Pizza Typefaces with Luc Borho in Midzic designed these typefaces or type families: Fine lineal , Blokus free pixel font, , Cimen strong sans, designed for Smacl Entraide , Mesquine lineal , Blitz , Cucha, Stencil Reverse , Huit , a gorgeous didone headline face , Stenha stencil.

Fonts made in The ETH family art deco sans. It was renamed Vanille FY after a few days. At the free font cooperative Velvetyne , he published the sans typeface Lack In , he made the 3-style sans typeface Suber for an art fair in Paris. The roman transitional typeface Bota Serif , which was inspired by Cochin designed by Charles Peignot in is a custom font designed for Hotel des ventes de Poitiers.

In , it was finally released for retail. In , he published the piano key typeface Mixal, which became a large experiment on variable fonts and is free for everyone. Another Behance link. Velvetyne link. Adrien Vasquez is from Grenoble, France.

He studied in Valence and the University of Reading class of With John Morgan, he founded Abyme in Nizioleti , with John Morgan. Named and modeled after the nizioleti, or Venetian street signs, Nizioleti is typeface consisting of painted letters stencilled within white plaster panels directly onto the city walls, in use since the early 19th century.

Polish creator of the curly psychedelic didone typeface Hippie In , she created a text typeface. Typefaces from Tokyo Digs.

Ahmed Eraqi [Eraky]. Designer, b. Shanghai, China, who is based in Los Angeles. Designer of the didone typeface Touch He is associated with Production Type.

Even more remarkable than the size of the type system is the stylistic scope it covers, including elaborate italics, monolinear Lights, heavily slab-serif-flavored Caption cuts, and Grande styles that verge on becoming stencilsall referencing different works from the golden era of the Didots. With this pluralism of style and character, Trianon almost commands you to use it in all the "wrong"ways, exhibiting flamboyant shapes, flexibility, and individuality.

Fontsquirrel link. Akira Kobayashi. Born in in Niigata, Japan. Studied at the Musashino Art University in Tokyo. He also studied calligraphy at the London College of Printing. He became a freelance designer in Akira Kobayashi, who was based in Tokyo prior to his move to the Franfurt area, is an accomplished type designer who has created numerous typefaces for Sha-Ken, Dainippon Screen where he made the kanji font Hiragino Mincho , TypeBank from , ITC and Linotype, where he is Type Director since CV at bukvaraz.

Interview in His typefaces: Helvetica Neue eText Pro Dainippon Screen: the kanji font Hiragino Mincho. Stempel AG and the Linotypes design studio in Neuzeit S itself was a redesign of D. In contrast to Times New Roman, Times Europa has sturdier characters and more open counter spaces, which help maintain readability in rougher printing conditions.

Times Europa drastically improved on the legibility of the bold and italic styles of Times New Roman. Frutiger Serif is based on Frutiger's Meridien and the Frutiger sans family. Neue Frutiger , with Adrian Frutiger has twice as many weights as the orifinal Frutiger family. In , he and Hermann Zapf cooperated on Virtuosa Classic, a calligraphic script that updates and revives Zapf's own creation, Virtuosa.

Oddities: Skid Row , Socia Oldstyle. Member of a type design team at Monotype that created the Tazugane Gothic typeface in It is the first original Japanese typeface in Monotype's history. Followed in by the more restrained Tazugane Info.

SST DIN Next Stencil Developed together with Sabina Chipara. At ATypI in St. Petersburg, he ran a Linotype student type design workshop. View Akiro Kobayashi's typefaces. Eurostile Next review. Monotype link. MyFonts interview in Akira Uchida Hitachi, Ltd. Opentype included. A thing of beauty.

Direct download. He also made another full free didone-style unicode font, Kandata Here you can download his Tsuitiku-Kana family from until Akmal Yusar [Picatype Studio].

Graphic designer in Melbourne, Australia, who created the hybrid all caps typeface Baskerone in as a mix of Baskerville and Didot.

As a student, she created various display typefaces. Cairo, Egypt-based designer, who hails from Surakarta, Indonesia, b.

Creator of the free brush typeface Bruss , the handcrafted Talisman , Labours and Summer Time , the vintage sans typeface Manufactur , the vintage titling typeface Kertayasa , the marker typeface Halfway , the watercolor brush face Hale , the free display typeface Biliru , the handcrafted Supreme , and the spurred display typeface Travelo Typefaces from Labours handcrafted poster font , Rolade a rounded condensed sans , Karmilla upright didone script , Egalite slab serif.

Typefaces from Kruda Handcrafted Sans , Serafina a calligraphic script, attributed to Insannita Muthiahs , Kertayasa a layered and textured typeface family , Naratif Condensed. Fontspace link. Creatice Market link. YWFT link. Creative Market link for Alterna Type. Alan Meeks. Prolific type designer, b.

London, Alan started working in for Graphic Systems as a lettering artist. In , he joined Letraset as the Senior Type Designer and Studio Manager where he was responsible for all the artwork produced by the Letraset studio. During his tenure at Letraset, he designed over 40 popular typefaces, including Bramley, Candice, Bickley Script and Belwe.

Most of these typefaces also showed up in the Scangraphic collection. Together with type director Colin Brignall, Alan contributed to the success of Letraset.

All the original typographic artwork produced at Letraset was produced by hand cutting the fonts in Rubylith, a highly-skilled technique known as stencil cutting. Alan was responsible for training the entire Letraset studio in this art. Most of the original Letraset artwork has now been archived at St. Brides Printing Library, London. Today, Alan works independently, specializing in all facets of corporate identity including type design, typography, packaging, and development of logos and symbols.

Also see Aargau Softmaker. Typefaces from Dublin a Celtic typeface , Chalky. Typefaces from Pinot Grigio Modern a modern rounded multi-style update of Peignot, originally designed in by A. Cassandre , Falcon Script.

Typefaces from Park Lane a classicitalic roman. Typefaces from British Empire a colonial typeface. Typefaces from Arequipa a titling font , Independence Script a cursive script loosely based on the Declaration of Independence; co-designed with calligrapher Satwinder Sehmi , Witchcraft. A classic roman. Typefaces from Aquitania Script calligraphic. Typefaces from Bodoni Elegant. An 8-style family in Bodoni's style with oh so slight curves thrown in.

Typefaces from Pantomime a heavy monolinear script. Allan Meeks collection Cedars, PA : Astoria , miniserifed family based on Gill Sans , Astoria Sans , Astoria Classic , Astoria Classic Sans , with a Peignotian feel , Brigade , serif family , Copacabana , based on Goudy Old Style Italic , Vatican , a calligraphic typeface characterized by the sharp edge style of Arthur Baker , Colosseum , a sans based on Trajan roman and influenced by Friz Quadrata , Chalfont , a News Gothic style typeface with thinned strokes near the bottomstrange and somewhat unattractive , Fairway , a quirky sans , Chalfont Roman , Spartacus , Winterfell Galadriel, Kornelia and Sparky are floating around freely in cyberspace.

View Alan Meeks's typefaces. Yet another page with Alan Meeks's typefaces. Badalona, Catalunya-based creator of Antibodi , a textured didone display typeface. He also created the monoline monospaced typeface Bended Type designer for PhotoLettering Inc in the photo type era. Vagabond Condensed. Alberto Romanos [Branding with Type].

A modern font family with Didot influences published by Monotype in Free at Google Web Fonts. The this a fashion mag display didone with plenty of additional ball terminals: Elsie is inspired by feminine energy. This new typeface was created to celebrate the world of women, glamour and fashion.

It combines the strength of Bodoni with the softness of italics. Sensitive, attractive, full of personality, innovative and subtle with both classic and new design features. Elsie , with Ana Sanfelippo. Wendy One Free at Google Web Fonts , it is loosely based on the Stabilo logotype, and shows the quirkiness of retro futurism.

Google Plus link. Alejandro Lo Celso [Pampa Type]. Alejandro Paul [Sudtipos]. Alejandro Paul. Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires. He runs Estudio Paul. Published the dot matrix font Stardust with T in Designed the gorgeous font Elektora in He developed with Michael Lynch a font Tennis set of grid-based pixel fonts.

At Typeworx , he published Reflex , a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of Sudtipos , where he does custom work and creates new typefaces.

His work there includes Tierra a titling face , Latinaires originally called Latina Sans , Reflex, Downtempo , Stardust and Mosaico , pixel face. For children's orthography, he developed Estrada Hand , on commission for Editorial Estrada. He was working on the serif family Libertina Herencia , a handwriting typeface done with Diego Giaccone , Grover , slab serif , Milk Script , with Alfredo Graziani , Mama Script , with Alfredo Graziani , Politica , a techno typeface with a very thin Thin weight are at Sudtipos.

In , that series was made available at Google Web Fonts. Sudestada , Sudtipos is a handwriting script developed with Diego Giaccone. Cuisine , Umbrella Type is an informal bold script. Suave Script is a 4am jazz bar script. Ministry is related in style but less funky, Chocolate is for sales ads, and Cenizas , with Angel Koziupa is straight from an old manuscript. Whomp , Umbrella was based on a partial sign-painting font by Alf Becker s , and so was Buffet Script , Sudtipos.

Affair , Umbrella is swashy and calligraphic, while Candy Script and its italic version Sugar Pie are based on Argentina's market lettering. Galgo Script is a brush calligraphic font based on a design of Angel Koziupa. Burgues Script is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz award at TDC2 Sinfonieta and Buffet Script are fifties style connected scripts.

Feel Script is based on lettering that calligrapher and logo designer Rand Holub created in and that was subsequently captured in Intertype's typeface Monterey Some letterforms were redrawn from vintage American magazine ads some by Holub himself , Cuisine , food advertising script , Pronto , comic book style, by Alejandro Paul and Angel Koziupa , Grover , rounded sans family , Grover Slab Calgary Script , Umbrella is a pure signpainting job.

Accolades from all typophiles for his calligraphic wunderkind, Compendium The year starts off with a bang, five awards at Tipos Latinos a grand prize for Brownstone Sans , and four standard awards, for Semilla , Kewl Script for food packaging and store windows , Calgary Script , and for Business Penmanship.

Boley s, Sign of the Times Magazine. Piel Script won an award at Tipos Latinos In , he and Koziupa made the fat signage typeface Aventura and Viento a grunge version of their earlier face, Brisa.

He added one retro connected signage font to the Filmotype collection in , called Filmotype Kitten original from Filmotype Zephyr is an italic roman formal script. Filmotype Yukon is inspired by the classic Palmer style of penmanship. Storefront is a swashy signage typeface based on an incomplete alphabet by Alf Becker. In , he helped Panco Sassano, a lettering artist and illustrator from Mar del Plata, who designed the wide connected semi-calligraphic handwriting typeface Horizontes Script Horizontes subsequently won an award at Tipos Latinos Still in , he published the fat packaging or signage script Bowling Script , which is based on Freely Drawn Italic , a non-font alphabet by Ernst Bentele Merengue Script , with Panco Sassone is a fun creamy script, ideal for pastry shops, tea rooms or supermarkets.

Steak is a connected vintage signage script based on an Alf Becker design. Winner at Tipos Latinos of a type design award for Envelove. Still in , Guille Vizzari and Alejandro Paul co-designed the great Moleskine notebook-inspired typeface family Proprietor. It won an award at Tipos Latinos Rigatoni : A skyline didone based on midth century example by Eugen Nerdinger. Bibliophile Script A pair of copperplate calligraphic typefaces.

Fixture a font grotesk family published by Sudtipos. Newbery Sans Pro A simple workhorse sans typeface family that is inspired by German industrial design and the lettering of Eugen Nerdinger. Typefaces from Plethora an style family and two variable fonts that build on Julius Herriet's Old Style Ornamented for Bruce Type Foundry; Alejandro added various frills, ligatures, weights, exaggerating in true Victorian spirit , Magari a fat face or Normande; Alejandro likens it to Italian classics of the 19th century though , Regional 27 styles, plus variable styles.

Art director in Moscow, b. Italian digital art director in the Pesaro Urbino area. Creator of the stylish and frivolous adaptation called Stile Bodoni Alessandro Alex Segalini.

Freelance Italian graphic designer, b. In it, he describes his typeface Ernesto Hemingway. At ATypI in Helsinki, he spoke about that same typeface. Initially, he worked in Rome, with interests extending across linguistics, book design, information design, calligraphy, lettering, visual identities, and designing with multiple languages. In he co-founded ISType , a lecture and workshop series devoted to encouraging typographic literacy in Turkey.

He is the typographer and graphic designer for Contra Mundum Press CMP , a boutique publisher based in New York and Paris that specializes in world literature and other genres.

He created these typefaces: A like Animals Also called A di Animali, this is an experimental typeface done together with illustrator Anna Donadelli.

Limerick was designed in together with Marek Brzozowski. In , Segalini published Hemingway Pro , a commercial 9-style sans display family, available from Red Rooster. Hemingway Deco Initials is free though. Typophile link. Alessandro's page with hundreds of useful links. PDF file with samples of his fonts. Alessia Mazzarella [Typeland]. Alex Etewut. Typefaces from Curator a curvy decorative didone , Gluck a rounded monoline sans family with outlined and double outlined styles , Laser Dots , Zarathustra a soft blackletter typeface family , Pedrera and Pedrera Script , Hooley advertized as a party font , Forma free counterless typeface , Fuego calligraphic script , Arc Boutant a vintage ballpoint-laden text typeface , Moloko script , Etalon a style organic sans family , Molodos All Caps, Click Stripes, Black , Geometry Pair , Venzel an interesting experimental deco typeface , Batllo inspired by Gaudi , Pluma handwriting.

Typefaces from Pistoletto a jelly or toothpaste script inspired by the work of Roy Lichtenstein and Michelangelo Pistoletto , Lento a monoline script family , Rajomon a dry brush typeface , Solomonk an inky script , Ma Tilda , Warka , Abudabi connected script , Lunar , Tilda a monoline sans with character , Jeunes connected script , Danken a textured all caps typeface family , Salud a hand-drawn slab serif, with some interesting sketched and arched styles , Hoochie , Brutto stencil with alyering and coloring potential , Hvala , Mafond slab serif , Tadaam , Liberal a simple monoline sans.

Typefaces from Vulgary a glistening oily font family , Spiro a rounded sans , Chakra script , Baker ST spurred, all caps , Geraldica a monoline script. Typefaces from Riley Wow a round oily font for emulating glows. Alex O. Kaczun [Type Innovations]. Alexander Bobrov [Indian Summer Studio]. Alexander McCracken [Neutura]. Alexander Tarbeev [TFaces]. Swiss graphic and type designer who lives in Duebendorf but was born in Arbon in He created the didone typeface Quick Black Alexander Wilson.

Scottish typefounder, b. Andrews, , d. Edinburgh, Educated in London, he started the Wilson foundry in at St. Wilson's first known specimen sheet was issued in However, William Rind seems to be using these types as early as February, in his Virginia Gazette. The business was left to his son Andrew and later to his grandson Alexander. Under Alexander's tenure, it went bankrupt in They are credited with the first British modern face, Scotch Roman, whch became very popular in the United States.

The modern adaptation of the typeface was first made in by the foundry of A. It is a modern face, but less mechanical than Bodoni, and has long been popular.

Capitals, though, appear heavier than lowercase letters and tend to make a spotty page. Hansen's National Roman is virtually the same face, with the added feature of an alternate r with raised arm in the manner of Cheltenham Oldstyle.

When Monotype copied Scotch Roman in , display sizes were cut to match the foundry face, but in keyboard sizes, necessarily modified to fit mechanical requirements, the caps were lightened and the entire typeface was somewhat regularized. Similar swash letters, but not shaded, were also drawn by Hess and made by Monotype for regular Scotch Roman Italic. Linotype had adapted Scotch Roman to its system in , retaining the heavier capitals, but in , by special permission of Lanston Monotype, brought out Scotch No.

Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string.

Alejandro has drawn the numerals in his font in to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. She and her partner Anatoly shithead. Available on Fonts The ass's site, Jagdesh, is in Pakistan and we cannot touch him. Others have complained as well about her practice of taking and extending fonts without permission. N: Nocturne , Nostalgia Alexei Chekulayev [Double Alex Team].

Alexei Vanyashin [design]. Russian graphic and type designer. His mostly experimental typefaces include Isopronto , geometric , Vampire , Blamed Neverland , a connect-the-dots face , Lighter techno , and Coffee , ultra-condensed.

Alexey Kryukov. Russian developer of these free font families, quite exquisite and complete: Old Standard TT : a high quality didone 2-style family, suitable for classical, biblical and medieval studies as well as for general-purpose typesetting in languages which use Greek or Cyrillic script, as well as Latin. Many math symbols are included. Old Standard is part of the Google open font directory of free web fonts, and was adapted for TeX use.

He writes: Old Standard is supposed to reproduce the actual printing style of the early 20th century, reviving a specific type of Modern classicist style of serif typefaces, very commonly used in various editions of the late 19th and early 20th century, but almost completely abandoned later. It supports typesetting of Old and Middle English, Old Icelandic, Cyrillic with historical characters, extensions for Old Slavonic and localised forms , Gothic transliterations, critical editions of Classical Greek and Latin, and many more.

People have also started using it for mathematical typesetting. However, all basic components of the font, and especially its Greek and Cyrillic parts, have suffered serious modifications, so that currently Tempora LGC Unicode represents an independent typeface, quite different from its predecessors.

Free download site. Theano Classical fonts: Theano Didot is a classicist face, with both its Roman and Greek parts implemented in Didot style. Theano Modern has Greek letters designed in the Porsonic style. It is based on Figgins Pica No. Theano Old Style is a modernized "Old Style" Greek font with a large number of historic ligatures and alternate forms, modelled after some early 19th century types designed by Figgins' type foundry.

It is accompanied by a Latin typeface based on some "Old Style" Roman fonts of the late 19th and early 20th century. He also provided valuable direction about Cyrillic and Greek typesetting. Another URL. Alexis Luengas [Alexis Luengas Zimmer].

German type designer in Karlsruhe. He created Rhetorica : Its design is motivated by the elegant roman letters of the Rennaissance, capturing the vitality seen in the hand of masters like Granjon, Garamond, Jenson and Van den Keere, but also neohumanist typographers like Zapf.

In , Luengas published the Meleo family. This organic semiserif family is characterized by a large x-height, and a contrast between the round nature of the regular style and the angular calligraphic features of the italic styles. In , he started work on Didotesque. His main project in was Cavatina , a font for writing music: Cavatina is my misuse to put it nicely of the OpenType font architecture, inspired by Travis Kochel's FF Chartwell.

Similarly, the font relies on contextual alternates and ligatures to take care of the formatting and allow the support of a wide range of musical grammar.

Among others, it is possible to write over four octaves of different notes, key and time signatures, barlines, accidentals, articulations as well as ornamentation, providing a system robust enough to allow fast musical composition. A browser based text editor with integrated MIDI playback is also provided for those who don't have a Mac. Cavatina exploits the liga , calt and gsub rules in Opentype.

Alexis Luengas Zimmer [Alexis Luengas]. Alf R. Alf Becker b. Louis, IL, d. Petersburg, FL was a sign artist in the 's and 40's. Beginning in January , at the request of editor E. Thomas Kelly, Becker supplied the Signs of the Times The National Journal of Display Advertising magazine 's new Art and Design section with an alphabet a month, a project initially predicted to last only two years.

Misjudging the popularity of the series, it instead ran for 27 years, ending finally two months before Becker's death in , for a total of alphabets. In late , just ten years after the first alphabet was published, of those alphabets were compiled and published in book form under the title Alphabets, by Alf R. The American Sign Museum shows the following death notice, taken from the April issue of Signs of the Times : A chapter of almost 27 years of extensive influence upon the development of sign and outdoor advertising lettering came to a close March 10 in the passing of Alf R.

Becker, whose alphabets had been presented consistently in Signs of the Times since January, Death came in St. Petersburg, FL, where he had been hospitalized since last November. The funeral services were in St. Louis, March Becker had operated a commercial sign business in East St. Louis, IL. Thomas Kelley, then editor of Signs of the Times, to do a series of alphabets for the magazine. They had estimated that 24 alphabets which would be presented in a period of two years would serve the purpose.

The series was so enthusiastically received and so many readers urged continuation that it was projected indefinitely to eventually each a total of before failing health of Mr. Becker forced him to give up that creative work. His last alphabet for ST appeared in the January issue this year. Countless are the signmen and women who broadened the horizons of their lettering ability by thorough study of Mr.

Becker's alphabet. In , his book, " Alphabets" was published by Signs of the Times, and all 3, copies that were printed were sold out long ago. Numerous requests have been received for a reprinting, but in view of the changes of time in lettering styles, it has not been considered advisable. Becker's failing health in influenced him and Mrs. Becker moving to St. Petersburg, where they bought a home, and where he went into semi-retirement. His love of the sign business was such that he continued his alphabets in spite of the problems of his illness.

Many of his typefaces have art deco influences. LHF Monogram at Letterhead is a digital version of one of his fonts.

Catalog of some of his digitized typefaces. View the digital typefaces that are based on Becker's work. Showcase of Alf R. Becker's fonts. German type designer, b. Schneider published all his typefaces at L. More than a decade before that, Softmaker created its own digital revival, P Deco.

Type designer b. Figura , Stempel is a condensed didone face. Scan of the cover of Hoffmann's Schriftatlas , designed by him. Alfredo Marco Pradil [Hanken Studio]. Ali Hamidi [Noer Hadi]. Studio in Cluj-Napoca, Romania. Creator of the curly script typeface Violet Night and the poster typeface Hornhill , Sans and Serif. Blow to Didot is a deconstructed didone typeface. Stick Wand is a Cyrillic stick font. Alisa Nowak. In , the blackletter typeface Eskapade Fraktur was published by Type Together.

The angular weights Eskapade Regular and Eskapade Italic were added in Younion One FY is free at Dafont. Alice FY was inspired by Adrien Genevard's lettering. Sub-themes are Alice in Wonderland and playing cards.

It too was inspired by Adrien Genevard's lettering. Exquise FY Bruum FY is a curvy stressed elliptical sans typeface. Characterized by kinks in the ascenders.